process

More thoughts on slow drumming

I originally wrote my notes below when I was still playing in a drum ensemble with a group of learners.

Reflections on Learning

I've often wondered what was the (dare we say "karmic"?) reason for me to spend 2 years as a Tech Director at a school. I think one of the significant things I gained was an interest in examining the learning process. One thing my time at the school taught me was the basic concepts of not only learning, but reflecting on your learning. How do you learn? What makes learning easier or harder? And what have you learned? What came easily, and what took work - and how do you feel about either?

Cold weather and drumming don't mix

Over the winter I was pretty frustrated, because I wanted to do more "micro-drumming" - i.e. spend 5-10 minutes practicing the pandeiro, or on the congas remembering some of the old rhythms I used to play with my first drum teacher. But I was cold, and the circulation in my hands is terrible. Drumming is not made for cold weather. In a very non-rigorous scientific observation, I can't think of any hand drumming tradition that comes from cold countries. Barring the Irish frame drum of course; but there is ample evidence that this drum came up from North Africa anyway. (No, I can't cite sources - I told you this was non-rigorous).

Lessons from a yogi

I've been thinking about the process of learning a lot lately.  Partly because I work at a school, so it's a topic that comes up a lot anyway.  And I'm looking a lot at my own learning, particularly since I'm learning how to play the pandeiro, and also partly because I recently got a chance to sit down with my first drum teacher, Sango Muyiwa, which was exhilarating and humbling at the same time.  It made me realize how far I had come, but also how much farther ahead he was that I ever imagined.&a
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